I’ve made a couple of fun discoveries over the last couple of days. One I’m completely sold on and the other…well…possibly not so much.
The first is this baby:
It’s a rolling invisible zipper foot by H.A. Kidd (or Unique depending on which area you’re in) and it’s my new BFF. Anyone who knows anything about my sewing habits knows that I abhore installing zippers and absolutely despise replacing zippers which is why, when asked, I give a quote of 123 bajillion dollars to do such a chore. Well this puppy changes everything (and reduces zipper replacement prices to 118 bajillion dollars) as it nicely makes those lovely invisible zipper folds and it will make an invisible out of a visible and has universal attachments for just about every type of presser foot shank for an entire $3.79 CDN. The only bother is that I actually have to unscrew the foot snap from the shank on my machine in order to use it, but that certainly beats ripping out seams any day. Thank you, thank you lovely fellow Fabricland customer for introducing this to me!
So the other thing is two-fold; firstly there is Victory Art Supplies – a new art supply store on Rubidge Street, downtown (yay!) A proper art supply store, you know the kind where you can smell the oil paints before you make it through the door? Yeah, that kind. My favourite. So I went in a picked up a set of watercolour paints and some paper. My first set of watercolours ever. They’re intimidating. I mucked about with them for a bit on the front porch saturday, just playing with mixing and colours and brushes. I managed to produce a lowly little lemon before I had to call it quits for fear of sunstroke and after lighting the newspaper which was on the ground beside me on fire (we won’t talk about that.)
It’s not finished yet, obviously (I fully intend to put it on a plate with a little lowly fish or something) but wanted to post as evidence, really, that I just don’t ‘get’ watercolours…yet…hopefully that qualifier applies. I’ve always stuck to the kinds of paints which have me making rough outlines and filling them in, see? It’s difficult to make the mental renegotiation of positive and negative space as one has to with watercolours (because using white paint is cheating.) So you can see here that I layer colour in like I would with acrylics or oils. Ugh. So frustrating but I will push on.
Beyond that I spent a good chunk of time frollicking in the fields of eye candy that is the Director’s Label series and being reminded that Jonathan Glazer‘s treatment of Rabbit in Your Headlights is likely my favourite music video ever.
You should go watch it.